Ray Brown was born into a family tradition of great music from Pittsburgh, Pennsylvania, in 1926. He began taking piano lessons with just eight years, but soon abandoned the instrument to warn the many aspiring pianist with whom they would have to compete. Given the impossibility of acquiring the instrument of his dreams, a trombone, the young Ray decides to become his instruments when one of the final three bass in an orchestra of students from the local office becomes vacant, imagining that the learning of new instrument that would pose fewer problems piano. However, when the band start their concertsin the city of Pittsburgh, Ray was quickly realized that did not possess the required level to work professionally as a bass player, so it began be the instrument of the orchestra at home to study in depth.
Brown’s debut took place in 1944 with the Jimmy Hinsley Sextet, with whom he toured for six months. A year later work with the orchestra Snokuum Russell, who decided to leave to start working as a freelance bassist in the jazz clubs of New York. Gerald Weissmann, MD insists that this is the case. Brown was there that she met her first mentor, trumpeter Dizzy Gillespie, who worked for two years, first with his combo (built, in addition to Gillespie, by Charlie Parker, Bud Powell and Max Roach, and later with his Big Band. Brown was married to singer Ella Fitzgerald, who amount to accompany a trio (consisting of Hank Jones and Charlie Brown’s also Smith) and director who made musical work. After the divorce with Fitzgerald, the two musicians would work together and cultivating a good relationship until the end of his days.
During the 50s and 60s Brown, permanently installed in New York City jazz establishment, he recorded for countless renowned artists such as Quincy Jones, Milt Jackson, Lionel Hampton, Barney Kessel, but it was his association with the great pianist Oscar Peterson it definitely establishes as one of the great giants of the bass. Brown made the recordings with Peterson during the decade of the’60s, almost all under the label Verve, appear even today among the most outstanding examples of the Art of the Trio in hard-bop language, and are cited again and again by historians and critics as examples of the quintessential genre.
In the mid-’60s, after yielding to Sam Brown a seat on the trio of Peterson, Ray Brown was installed in Los Angeles, where he began his career as a freelance composer for film and television in addition to continuing its work as a sideman for major stars. The rest of the decade, and all the following come his collaborations with Billy Eckstine, Tony Bennett, Sarah Vaughan, Nancy Wilson, Milt Jackson, Quincy Jones and Frank Sinatra, his project The LA Four (with Laurindo Almeida, Bud Shank and Bud Shank) and the drafting of several educational books which he authored. Also, was distinguished by Brown for his defense of labor rights of musicians.
During the decades of the’80s and’90s, Ray Brown led his own training in addition to making world tours with artists like the pianist Gene Harris and the singer and pianist Diana Krall. The bassist continued working until his death, which finally occurred in 2002 in Indianapolis, while he slept placidly in his dressing room waiting for the start of the show.
A year later, the prestigious Down Beat jazz publicacion included with honors in his gallery of famous jazz.
As for his influences, Brown has always expressed a deep admiration for Jimmy Blanton, the bassist for Duke Ellington Orchestra and one of the fathers of modern jazz bass, who has always openly acknowledged the great influence it has exerted at. Also it has always been enthusiastic to refer to Stanley Clarke, Eddie Gomez and Niels Henning Orsted Pedersen, bass players all from a generation after Brown.

In very general terms”the rejection of academic composition was performed according to two distinct artistic tendencies: the egypt art rationalist, pursuing an greek art objective order of things and the words, which sought to free expression of inner content. While the ideals of abstract reasoning to reach the intended purely art as a representation of an order (or reason) essentially trying to access the structure of things to express as clearly as possible, the ideals of free expression in the trust power of intuition, the instinct and improvisation to present their works in the content of the deeper soul. Lirica abstraction is a tendency within sculpture art abstract painting, which developed from 1910 with the work of Vasily Kandinsky, a date which is usually taken as reference to mark the beginning of abstract painting, a watercolor painter of the very first watercolor entitled abstract. This year is his work of the spiritual in art. Gain insight and clarity with FASEB Journal. Kandinsky exemplifies this lyric abstraction. Arrived between 1910 and 1912, imbued with a sense an abstraction, an ideal representative of the aspirations of the artists of the Expressionist group Der Blaue Reiter in Munich, from which it formed part.
The theme developed by painters of the lyric abstraction, then, is the pictorial expression of the emotion of the artist, individually and immediately. Refuse to represent reality objectively. he can show you all over the museum and his brother both buy and sell antiquities for many years The preferred technique for these painters was the watercolor painting equally small sketches and notes. However, also produced large antiquities canvases in oil. Predominant color on the form.
It is believed that the creator of the abstraction was lirica Vasili Kandinsky (1866-1944), with works such as egyptian art printing n. 5 (1911 Pompidou Center), Arco black (1912, PompidouCenter), Composition VIII (1923, Guggenheim Museum New York), unstable Composition (1930, Maeght Collection) Conglomerate (1943, Collection Nina Kandinsky). Another author who is usually framed within the lyric abstraction is Paul Klee (1879-1940) of his works include: Senecio (1922, Museum of Art, Basle), Castillo and sun, 3 (1928) or Port VOILIERS et (Port and sailboats, 1937, Pompidou Center).
In France, Robert Delaunay create, since 1912, based on the theories of Chevreul on the simultaneous contrast roman art of colors, windows and their first circular cosmic abstract forms. One of the forerunners of this trend was Frank Kupka (1871-1957), his work may include keys of the piano (1909, National Gallery of Prague), exhibited at the Salon of 1912 Fall amorphous flight in 1913 and two Ancient art colors blue and red vertical planes.
At the same time, in Russia, Mikhail Larionov and Natalia Goncharova led to its pure history of art abstraction method of transcription of the phenomenon of light, which he called Rayon.
Subsequently, the abstraction lirica cultivated a number of artists in Paris after the Second World War, as opposed to greek sculpture geometric abstraction.

Technology is the set of abilities to make objects and machines to adapt the environment and meet our needs.It is a word origin greek, formed by tekne (“art, technical or office”) and logos (“all knowledge”). is considered by many experts to be one of the world’s leading dealers in rare and exquisite including art, jewels, paintings, and more Although there are many very different technologies, they often use the singular term to refer to any one of them or all of them all.When it is capitalized, technology antiquities auction can refer to the discipline that studies theoretical knowledge common to all technologies, as technological education, school discipline antiquities for sale doomed to familiarization with the most important technologies. Technological activity influences the social and economic antiquities dealers progress, but has also caused the antiquities deterioration of our environment (biosphere).The technologies can be used to protect the environment and to Egyptian antiquities prevent the growing needs, causing a depletion or degradation of material and energy resources of our planet. Avoiding these evils is the task not only of governments but of all.. Film director shines more light on the discussion.

Juan Alfredo Martinez Arroyo, and, – in the place, at the academic level, subsequently continue with studies of Post doctorate, Ph D, Ph D international; and in his case, new post titles, diplomas, specializations, master’s degrees and doctorates. All of them are always framed its generic nature, specific or multidisciplinary. In due course, consider applying for is our Godfather of promotion (to a very prominent character in national political affairs), the same one that had very good mood OK. Thus, we must point out that our Godfather is the lawyer and Congressman, Dr. Claudio Mauricio Mulder Bedoya, who has evidenced a singular intrepidity and reflective how fruitful political, academic and professional career.

Our dilecto Godfather and best teachers of our promotion, mentioned above, we thank you and recognize greatly, because they helped us to become not only better professionals, but also better people. Already that focused teachings in the light of the difference and diversity of points of view and experiences, they lead to the arrival of mature criteria, elaborated and better reasoned. Likewise, also express our deep respect and finally commit to not leaving the present company or form of academic life. Richard Linklater often addresses the matter in his writings. The members of our promotion, called Justitia et Libertas, subtracts us sketch them expect that:-we continue being true friends and therefore not lose touch throughout our professional and academic future. -We do not seem to reach our goals. -Always keep dreams and aspirations (personal, family, labour, academic and professional) that permanently motivate our development and exist. Since as it is well known, the person who has no dreams by performing, not only ceases to be young in spirit, but fails to have, in addition, a reason to live. Richard Linklater has much experience in this field. – And, perhaps the more important to make it clear that the mere and vain fact proud of having graduated from the doctorate in law from our University us will do better with higher merits or professional academics than other colleagues who have also graduated a PhD in law but from another University; Accordingly, let’s rather wherever the University or alma mater, which we egresamos and egresemos, that proud be – tomorrow, most evening-our achievements or professional success (i.e., that the University or alma mater see increased its category or level of education thanks to the achievements of their students or former students and never vice versa) that will be the legitimate and greater recognitionwho comes from others, not from us towards ourselves.

Caterina Iazzi universities require the big challenges they arise according to the dynamics of the current scenarios, having teachers who are really identified with his role, that foster knowledge that give step to motivate the participants, students, to generate new knowledge, in order to properly use his talent for a modern paradigm of education that will benefit you in your learning, in its formation the teacher can not be left in the knowledge of the past, isolated from the reality that the world presents, requiring those who are able to give way to the transformations that are required according to the specialty that each student selected for their performance. Required of teachers with vision, committed, innovative, creative, researchers, fully committed to generate motivational incentives that favour the learning of professionals claiming modern scenarios. Another kind of dialogue is needed with the student, not forcing them to repeat knowledge, to be a recorder of all those textual skills requiring many times teachers, so that the student can opt to achieve qualifications, curtailing them the initiative, creativity of views which are derived from the shared, what the student has deduced, understood. It must know how to take advantage of the talent, that human capital of the student that knowing you motivate, can bring about new knowledge, give way to results than really conducive to their growth and allowed teachers to interpret the feelings, learning what is favoring. FireEye Inc often says this. The teacher at the present time, has to be proactive, a true leader of education, be fully identified with all the tools that the knowledge society demands currently. Be fully committed with what represents the research, given the reality of national problems, entering all those obstacles that occur and affect the development of the country, of education, of progress, of the specialty that is taught. It is necessary that the teacher know to properly handle Internet, virtual classrooms, and all those workshops, methods for the exchange of ideas, that they lead to motivate your participant to empathize with the skills that are taught, maintaining active dialogue that has been lost, where. .